Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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In MicroMega, Italian intellectuals protest against a new law that makes criminals of illegal immigrants. In Al Ahram, literature professor Hamid Dabashi explains that it's not the demonstrators, but Ahmedinejad's followers who are middle-class. In Observator Cultural, Leo Butnaru names the foreign dignitaries who flock to Moldova to be decorated. In Dawn, Arundhati Roy expresses her doubts about democracy. Standpoint discusses Oswald Mosley, who did the same.
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The Internet is changing our brains, philosopher Joaquin Rodriguez Lopez explains in the French magazine, Books. David Hockney shows his new iPhone drawings to the Spectator. In the New York Review of Books, historian Timothy Snyder calls for a new understanding of the Holocaust, that begins not in Auschwitz, but deep in the forests of Eastern Europe. In Literaturen, Aleksandar Hemon remembers an empty reading that turned out to be a success. Dawn introduces Michael Jackson as internalised by the Pakistanis. In the Weltwoche, pedagogy professor Georg Feuser calls for a ban on Ritalin for kids. The NYT witnesses the end of the black middle class in Detroit.
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The Economist is impressed the by the hybrid of old and new media in the coverage of events in Iran. Outlook India looks at racism at home. In Le Point, Bernard-Henri Levy rallies support for the Iranian opposition. In Salon.eu.sk, Zygmunt Bauman continues his thoughts on the effects of totalitarianism in Poland. In the Guardian, Wallace Shawn explains why sex is still shocking. Al Ahram sings the praises of the Pakistanis who chased the Taliban out of their villages. In Nepszabadsag, Lajos Parti Nagy explains why he doesn't want to be Hungarian. And the TLS holds its nose in Versailles.
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MicroMega wants nothing to do with the ritual of 1000 women – especially if it involves Gaddafi. Outlook India explains how Berthold Brecht put the fun into Hindu theatre. Polish author Pawel Huelle savours his vote while riding his bike. The Guardian learns from Abbas Kiarostami where to find the beauty in art. In Nouvel Obs Breyten Breytenbach wonders what went wrong in South Africa. Elet es Irodalom is irked by intellectuals who won't go to the theatre. The NYRB reads books about Darfur, the Nation reads books about Cuba. And the New York Times is very excited indeed about the new Grand Paris.
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Al Ahram asks what the Arabs can do for Obama. Outlook India says the US president should have talked to non-Arab Muslims instead. Charlie Kaufman's film "Synecdoche, New York" plunged the London Review into a thick fog of existential questions. Polityka discovers a republic of soloists in Poland. The Economist loses itself in the life of an American dreamer who is pinned down by a 483,000 dollar debt. In Clarin, Beatriz Sarlo asks: What does Buenos Aires want to be? In Elet es Irodalom, Ignac Romsics describes the difference between the Western and Eastern European right. NZZ Folio travels the coast of the Black Sea. And in the Guardian, sculptor Alexander Stoddart reaches for his pistol.
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Al Ahram witnesses Tunisians hitting the roof at the Arab Theatre Festival in Cairo. Alaa Al Aswany assures the Observer that democracy is coming to Egypt soon. Polityka complains about the grumblers who have rained on the June 4 parade. The New Statesman, Prospect and The Nation discuss China. In Nouvel Obs, Michel Pastoureau describes the fine line between man and pig. In Salon.eu.sk Zygmunt Bauman criticises Slavoj Zizek for not looking "beyond the barbed wire". Bookforum is excited by the boom in African literature.
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Wired explains what Google really is: an auction house. The New York Review of Books sees Pakistan near the brink of anarchy. Elet es Irodalom introduces a new Hungarian magazine about culture on the periphery. The Nation turns to the Kundera Affair. In Literaturen, novelist Barbara Vinken compares sex stories by children. The LRB is impressed by a wiki. In El Espectador, Hector Abad describes the potentially fatal consequences of reading. Espresso portrays the fascists of the third millennium.
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What makes us happy?, the Atlantic asks. Outlook India celebrates the victory of secular politics in India. The Spectactor finds itself in the hour of the medievalist. The Economist explains why Perlentaucher is essential reading. Magyar Narancs asks what happened to May 8th in Hungary. In ResetDoc, Nasr Abu-Zayd explains why Afghan marriage laws have nothing to do with the Qur'an. And jazz is fading into the background in Poland.
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The Nouvel Obs features an interview with Imre Kertesz about survival after survival. The New York Review of Books celebrates the affluent and brilliant Madame de Stael. Tygodnik Powszechny welcomes the first film of a Stasiuk book. In the Guardian, Elaine Showalter asks why America's women writers are so notoriously underrated. Le Point profiles Dieudonne, who has declared his anti-Semitism as art. Rue89 asks whether it's left-wing to block Internet access. And in the New Republic, John Banville reads Samuel Beckett's letters.
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The Nation portrays Bulgarian mafioso and author Georgi Stoev, who met the same death as many a victim in his books. In Nepszabadsag, poet Akos Szilagyi explains why outlawing Holocaust denial would not restrict freedom of speech. The New Yorker wants to see more command responsibility. In the Gazeta Wyborcza, Roza Thun wants to see more Polish passion for the EU. Andrew Orlowski in the New Statesman has lost his belief in Long Tails on the Net. And in the New Yorker, Russell Shorto explains the difference between the Dutch and the Americans.
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In Merkur Ralf Dahrendorf speaks out for the stakeholder. In the Guardian, Kazua Ishiguro warns writers not to "fart about" in their thirties. In Literaturen, Peter Sloterkijk tells it like it is: you have to put in at least 10,000 hours of practice to become even a passable craftsman or musician. The London Review explains the appeal of sharia-compliant banks. In Le Monde, philosopher and theologian Mezri Haddad talks about the vampirisation of Islam. The NYT fathoms the sub culture of drug smuggling.
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In Espresso, Suketu Mehta calls upon his fellow writers to save the world from the banksters! In the Guardian, Julian Barnes reads the only poem Arthur Hugh Clough ever received a penny for. The Polish language does nothing but express distrust, Tygodnik Powszechny complains. In Commonweal, Terry Eagleton describes the clash of culture and civilization. Observator Cultural throws a spotlight on Norman Manea. And Google's clairvoyant, the Economist discovers.
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In Eurozine, Serbian artists refuse to be reminded of their past. La vie des idees shows how the skirt has become a symbol of emancipation in France. In the Boston Review, Evgeny Morozov tells cyber-utopians that bloggers can be as anti-democratic as anyone else. The Spectator wants a "muscular Christianity" on its side. In Beszelö, the poet Akos Györffy sees a new Golem approaching. Paper money is confetti, Dr. Doom tells the NZZ Folio. And Douglas Adams cries on his bed in the Guardian.
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Google Street View provides the London Review with the key to understanding, finally, Stendhal's description of realism. Le Figaro reads Cioran's juvenilia. Outlook India salivates over food blogs. Babelia observes the divorcees in the Teatro Colon. Vanity Fair gloats over the promiscuous micturition in the Bohemian Club.
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In the Spectator, John Cleese tells a critic what a critic is. In Tygodnik Powszechny, philosopher Jean-Luc Marion has no problem proving the existence of God. In Prospect, Hanif Kureishi wishes authors had more balls. In the New Yorker, Seymour Hersh outlines the sort of sophisticated diplomacy that the Obama team needs. Espresso watches the Calabrian mafia using PTT. Wired visits a prison to hear the tale of the world's biggest diamond heist. n+1 is glad that the weirdness has been put back into German sex. The Gazeta Wyborcza drowned in the earnestness of a Berlin production of Dorota Maslowska's new play. And in the NYT, Freeman Dyson heats up the climate.
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